Burgmuller, a German composer living in France during the Romantic era composed these delightful programmatic pieces in order of “progressive” difficulty; I’ve chosen 3 favorites to showcase: “Arabesque,” “La Chasse” (The Chase) and “L’Harmonie des Anges” (Harmony of the Angels) Arabesque (“beautiful decoration”) is a sprightly, fast paced miniature in “A” minor, that basically utilizes an open hand position. There is just one shift of the thumb under other fingers, in the “A” section. The challenge is to observe punctuated accents and learn to shift the 16th notes from right hand to left hand with as much facility as possible. The piece whizzes by so fast that it’s easy to forget the precise phrasing, articulation of notes, etc. The best approach is always exaggerated slow practicing with attention to detail until the student is able to pace himself at a faster tempo and not lose sight of Burgmuller’s phrase marks, dynamics, accents, etc.

The Chase: This is a hunting song in C Major, with a punctuated chordal Introduction followed by three distinct sections. The “A” section is tricky to master, because the composer has triplet staccato figures over legato, dotted quarter length chord progressions that emulate the hunting horn motif.

Heller - Selected Piano Studies, Opus 45 & 46 sheet music - Piano sheet music by Stephen Heller: G. Shop the World's Largest Sheet Music Selection today at Sheet Music Plus. Characteristic Studies. Confidence, F. Allvg'm non troppo. (J: 1-1:) >.. 0 00 7-27” It. CD Sheet Music (tm) -- Burgmuller -- 18 Characteristic Studies, 0p. 3 3 2 A f} 1 f; p (ll/[08. >(Rm 1 (32% (53a. Grateful thanks are due to Peter Wild, the principal syllabus compiler, and to William Alexander, editor of the. Option 2: Studies. Velocity, Op.109 No.10. AND from LCM Piano Handbook: Grade 6. Second Study of Group III. Component 2 –.

(harmonic sixth, fifth, third) Hands should be separated in slow motion before playing “up to tempo” is undertaken. The “B” section is in G Major (the Dominant key) and is less technically challenging as compared to part “A” Once again, slow and steady practicing always helps in the overall learning process. The “A” section then returns before a distinctly contrasting “C” section begins. This is a beautifully spun out part of the compositions, with broken chords in the left hand over a gorgeous lyrical minor (sad) melody in the right hand. This is a good opportunity to block the left hand chords alone as a preliminary, and then play the melody over these chords, before the chords are broken as written. Finally the “A” section returns again with an added Coda concluding the piece. “Harmony of the Angels” strikes a real contrast to the preceding two pieces from Burgmuller’s collection.

It is totally spun out broken chords crossing from hand to hand, and should be seamlessly played if at all possible. Bs 1377 Part 3 1990 Pdf Writer there. A supple wrist, and rotating hands will assist in the communication of a limpidly flowing melodic line. What a simply heavenly composition this is, and a nice one to conclude with. About arioso7: Shirley Kirsten International piano teacher by Skype, recording artist, composer, piano finder, freelance writer, film maker, story teller: Grad of the NYC HS of Performing Arts, Oberlin Conservatory, NYU (Master of Arts) Studies with Lillian Freundlich and Ena Bronstein; Master classes with Murray Perahia and Oxana Yablonskaya. Studios in BERKELEY and EL CERRITO, California; Member, Music Teachers Assoc. Of California, MTAC; Distance learning and Skyped instruction with supplementary videos: SKYPE ID, shirleypiano1 Contact me at: shirley_kirsten@yahoo.com OR or at FACEBOOK: Shirley Smith Kirsten, /shirley.kirsten TWITTER: Private fund-raising for non-profits as pianist--Public Speaking re: piano teaching and creative approaches.

What a treasure your blog is! During all my years of piano study (which was heavily laden with the classics) I was never introduced to this composer. Deer Hunter 2005 Download Full Version Free.

I now eagerly await this book from Amazon; “Harmony of Angels” is particularly enchanting and has the kind of “liminal space” forward movement that I adore in compositions. One of my childhood favorites that livened up a landscape of mostly sonatinas and Hanon scales was “Calvary Trot” by one A.