It’s been a while since I’ve posted an actual exercise. Here is one I use with students to introduce chromaticism into their playing. Chromatic III-VI-II-V's (373. Jira Vmware Appliance Default more. 7 KiB, 197 hits) You do not have permission to download this file. Please either login or create an account first. Backgrounds For Exercise for Eb Instruments at Q=120 (3.2 MiB, 107 hits) You do not have permission to download this file.

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Please either login or create an account first. Dear Jazz-Saxists, Greetings~ Not long ago, I began to write some casual posts relating to Jazz improvisation ideas and approaches, about Coltrane Changes, John Coltrane, and some off-the-cuff ramblings in my little site. These posts, collected in the “” series, were really fun to write (and I hope they are also fun to read as well~), including: -Some ideas and approaches in creating “pure” or “quasi”of Nicolas Slonimsky’s Pattern No. These ideas are less “analytical”more like my own ways (aka shortcuts) to manage Slonimsky’s materials in his Thesaurus Of Scales And Melodic Patterns -listening/compiling Coltrane’s employments of “The Bebop Lick” in his Giant Steps & Countdown to list few manageable variant.

-discussing few approaches and ideas to create Diminished Scale sound.for example, using layer approachetc.to provide few ways, in addition to the usual “here’s your scale”, to execute this wonderful symmetrical scale. -a personal post about getting some improvisational ideas from Super Mario Bros.’s “Underground” theme(although it might appear to be an “Ode to an-incredibly-horrible-gamer”.) -a personal favorite! This post is about using Coltrane’s improvisational line as a phrasing model to handle lots of sequential patterns in a single improvised line.

-few general ideas on spicing up our improvisations with some juicy dissonances. -ramblings on Coltrane Changes. Have fun reading them~ and please let me know what you think~ Regards, JK. The are one of the most downloaded things here. I’m currently working on another revision of them, which would probably make it 400+ pages. That is a LOT to print out. I’m considering making them available to people via Lulu.com for like a $1 over what it costs to print them.

You do not have permission to download this file. Please either login or create. John Coltrane's employment of “The Bebop Lick” in his Coltrane Changes lines in Countdown and Giant Steps. -listening/compiling Coltrane's employments of “The Bebop Lick” in his Giant Steps & Countdown to list few manageable variant. If files download limit exceeded, you can do these steps: • register on yandex.ru • click 'Save to Yandex.Disk' • open your Yandex.Disk and save the required archive to your HDD.

So, if the patterns were 400 pages exactly, to print them coil bound, it would be $12.53. Legal Aspects Of Business Akhileshwar Pathak Pdf To Excel. So, I’d make them available for $14 or something. Windows Xp Dark Lite Edition Torrent Download.

The money would go to running this site (which is not cheap people!) So, here is a poll to figure out how many people would be interested in that. Sometimes, people send me stuff to look. Wil Greenstreet sent me his book, Fourth Obsession – inroads to out there.

This book, obviously, deals with Fourths, something a lot of books touch on, but never really focus in on. This book does that. Starting out with the basics, being able to play fourths through the full range of your horn, then applying different rhythms to the fourths.

Then backwards, then zig-zags, then zig-zags backwards, then zig-zags with rhythms, then zig-zags with rhythms backwards. You get the idea. And that is only the first 18 pages of 183 pages. Subsequent chapters deal with strings of fourths (in three, four, five, and six), root movements and fourths (whole-steps, minor-thirds, etc), and twelve-tone rows. All these get the backwards, zig-zag, zig-zag backwards, and with rhythms. I don’t think he left out any combinations.

Maybe I should consult with or to see if there are any other combinations. After playing things out of this book over the weekend, there are some very cool lines to be found. The layout of the book is top-notch (except for the occasional use of the Jazz Text font, which I personally disdain).

The material is presented clearly, the text is easy to read, and understand. The exercises, while not completely written out like in Walt Weiskopf’s books, are presented in a way where you can follow them (example being on the left page one would see the string of fourths in a group of five going up in half steps, and on the adjoining page the rhythms to practice them with).